Fairlight CMI Series IIx

The Fairlight CMI Series IIx is a sampling synthesizer and early digital workstation from 1983, an update of the Fairlight CMI Series II with added SMPTE and MIDI interface. It housed the Page R 16-track sequencer, which helped bolster the Fairlight's popularity at the time.

Stewart Copeland upgraded to this from the Series II around the time of working on The Equalizer film score.